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Artist Statement

I am a social practice artist, interested in social and economic issues faced by North America’s consumerist culture. My focus has been the investigation of the dynamic relationship between nature (the living) and technology (progress). I create aestheticized work that questions our present and future, I encourage my audience to think about how they can take action, in their own way, to affect social and environmental change. I create work that represents the human struggle to control our environment as well as the relationship we have over our excessive habit of consumption and conformity. Raised in a culture that emphasizes the wonders of technology yet still romanticizes nature and the natural world; I make sense of our present and future through my engaging work. I start with an idea and then choose a medium that best represents that idea. In the past I have worked in video, installation, drawing, painting, photography, ceramics, printmaking and kinetic art.   


KC Adams graduated from Concordia University with a B.F.A in studio arts. Adams has had several solo exhibitions, group exhibitions and was included in the PHOTOQUAI: Biennale des images du monde in Paris, France. Adams participated in residencies at the Banff Centre, the Confederation Art Centre in Charlottetown, the National Museum of the American Indian and the Parramatta Arts Gallery in Australia. Her work is in many permanent collections Nationally and Internationally. Twenty pieces from the Cyborg Hybrid series are in the permanent collection of the National Art Gallery in Ottawa and four trees from Birch Bark Ltd, are in the collection of the Canadian Consulate of Australia, NSW. She was the set designer for the Royal Winnipeg Ballet’s Going Home Star: Truth and Reconciliation. She completed a public art sculpture for the United Way of Winnipeg called Community and recently won the Winnipeg Arts Council’s Making A Mark Award.